To cope with the demand, even further investments were needed to optimize the production process and these were made possible after the businessman R. in Silesia, which resulted in a constant technology transfer between both companies - the best known would be the 'Indisch Blau' decoration style.īased on the high quality standards, company reputation literally exploded. In some areas like decoration styles, the company started to cooperate with others like the ⇒Porzellanfabrik Königszelt A.G. Further improvements and expansions followed, leading to a total of seven normal round kilns and one dedicated decoration kiln, followed by an even larger workforce as more and more skilled workers joined the company. (1887 until 1904)īareuther and Ploß constantly improved the facility and the success they were having slowly let the workforce increase to 150 people in 1890. Max Jena left the company in 1887, resulting in a rename of the company.
The industrials Max Jena (Selb, Bavaria), Ernst Ploß (Asch, Bohemia) and Oskar Bareuther (Haslau, Bohemia) took over and after modernizations started to slowly but surely increase quality and output. Schreider himself then sold the facility a year later. Over the next years, young Riess ran into more and more problems which finally forced him to sell the facility to Wilhelm Schreider from the town of Schwarzenhammer in 1884 as the facility employing 100 people at the time was nearly bankrupt.
The impressingly successful business was taken over by his son Johann Riess, who in 1875 also started producing porcelain. Hutschenreuther factory in Hohenberg, Johann Mathäus Riess (born in Ottenlohe near Hohenberg) founded his own pottery in Waldsassen but died only a year later. In 1866 the former chief potter of the C.M. PM&M / Germany / Bavaria : Waldsassen : Steingutfabrik Johann Mathäus Riess (1866 until 1885)